WILL FERRELL DODGE STRATUS - WILL FERRELL

WILL FERRELL DODGE STRATUS – DODGE VIPER SRT10 COUPE 06.

Will Ferrell Dodge Stratus

dodge stratus

The Dodge Stratus (and its twins, the Chrysler Cirrus and Plymouth Breeze; collectively known as the “Cloud Cars”) was a mid-size 4-door sedan introduced in 1995. It was based on the Chrysler JA platform Cab forward (car).

will ferrell

John William “Will” Ferrell (born July 16, 1967) is an American comedian, impressionist, actor, and writer.

will ferrell dodge stratus – Step Brothers

Step Brothers (2-Disc Unrated Edition) [Blu-ray]

Brennan Huff, a sporadically employed thirty-nine-year-old who lives with his mother, Nancy. Dale Doback, a terminally unemployed forty-year-old who lives with his father, Robert. When Robert and Nancy marry and move in together, Brennan and Dale are forced to live with each other as step brothers. As their narcissism and downright aggressive laziness threaten to tear the family apart, these two middle-aged, immature, overgrown boys will orchestrate an insane, elaborate plan to bring their parents back together. To pull it off, they must form an unlikely bond that maybe, just maybe, will finally get them out of the house.

Crude, juvenile, and proud of it, Step Brothers stars Will Ferrell and John C. Reilly as two 40-year-old men, both living at home and leading the lives of 13-year-old boys, who are thrown together when their single parents (Mary Steenburgen, Parenthood, and Richard Jenkins, Six Feet Under) get married. Brennan (Ferrell) and Dale (Reilly) start out hating each other as only teenage boys can–but things get even worse for their long-suffering parents when they become best friends. Step Brothers gets most of its mileage from very lowbrow humor, but hidden among the farts and masturbation jokes is the suggestion that while these guys may be emotionally arrested, so are Brennan’s hotshot business executive brother (Adam Scott, Tell Me You Love Me) and his high-fiving frat-boy pals, just in a way that’s condoned because it makes money. Also crucial is that Ferrell and Reilly capture adolescence in all its gruesome glory–the awkward insecurity but also the egomaniacal, arrogant self-centeredness. Mind you, this isn’t the American version of The 400 Blows or anything–one of the movie’s setpieces features Brennan tea-bagging Dale’s drum set (and if you don’t know what tea-bagging is… well, you will after seeing this movie). All in all, Step Brothers combines the adolescent humor of producer Judd Apatow (Superbad, Knocked Up) and the comic chemistry of Ferrell and Reilly (who previously costarred in Talladega Nights)–fans of either will find plenty to enjoy. –Bret Fetzer

Stills from Step Brothers (click for larger image)

Flex

Fraternity symbol on a dude’s bicep. This tattoo was a workout but it came out great. I look at it and I can’t help but think of Will Ferrell. "AHHHH AH! I AM A STRONG MAN! I DRIVE A DODGE STRATUS!" Wow. I hope somebody else knows what I’m talking about…

stratus

"I drive a Dodge Stratus!" ~ Will Ferrell

will ferrell dodge stratus

Misfit NYPD detectives Gamble and Hoitz (Will Ferrell and Mark Wahlberg) are sentenced to life behind the desk. They hate each other and the monotony of their meaningless jobs, as they’re forced to live in the shadow of the two biggest and most badass cops on the force (Samuel L. Jackson and Dwayne Johnson). But when those guys go down for the count, opportunity knocks for Gamble and Hoitz. Stumbling onto what could be one of the biggest crimes in years, can The Other Guys step up their game to solve the case without killing each other and destroying NYC in the process? From the director of Step Brothers and Talladega Nights: The Ballad of Ricky Bobby.

Although the comedy team of Will Ferrell and Mark Wahlberg does not sound like a threat to Laurel and Hardy or Abbott and Costello, they conjure up consistent laughs in The Other Guys, yet another comedy from Talladega Nights director Adam McKay. Ferrell plays a mild-mannered police accountant partnered with Wahlberg’s hothead (recently demoted to desk-jockey duty after shooting a very famous Yankee player during the World Series), and both men must endure the showboating fame of a pair of supercops (Samuel L. Jackson and Dwayne Johnson) in their New York City precinct house. Along with sending up cop-movie cliches, the movie basically exists to give Ferrell and Wahlberg room to work amusing variations on their characters (with grace notes for Michael Keaton’s stereotypical tough captain, too). The loosey-goosey structure works especially well when Wahlberg is needling his partner’s squareness or marveling, in wonderfully awestruck tones, at the unbelievable hot-i-tude of Ferrell’s wife (Eva Mendes)–a discrepancy made all the more maddening because Ferrell seems indifferent to her charms. Throw in a plot about a billionaire Wall Street crook (Steve Coogan) and the revelation of Ferrell’s hilariously dark past, and the movie finds a nice zone of silliness. Of course, any Will Ferrell vehicle must be judged by the opportunities for the star to launch into some borderline-surreal riff–and happily, this film comes through. From the moment Ferrell begins deconstructing Wahlberg’s lion versus tuna metaphor, The Other Guys manages to find time for such nonsense, and the film–the world in general, for that matter–is the better for it. –Robert Horton